Confidential Records


2016-/ mixed media


Scientist Ray Kurzweil defined the acceleration of the development of technology as Law of Accelerating Returns. He reckons that technology is growing exponentially that human could make the progress of the entire 20th century with only 20 years in the 21st century, and we are here right before the “explosion”, what will happen decades later might threaten all human beings. Long time ago Albert Einstein compared technological progress to an axe in the hands of a pathological criminal. Technology has made our world increasingly open, and for the most part that’s great. But all of these openness may have unintended consequences. Our openness can be used against us.

Kowloon Walled City in Hong Kong had been reckoned as “City of Crime” and “City of Darkness” as a consequence of improvisation and organic growing through the last decades before it was finally demolished in the early 1990s. In the story Confidential Records, the virtual underground city inherits this characteristic and functions as a shelter and final frontier to fight against the AI regime. In the future of futurist Ray Kurzweil predicted, Pure Blood Humans revolt in various ways such as cyber warfare, illegal army, assassin team, etc. Human-beings works as a community phenomenon, “bombing” the city aboveground attempting to take back the sole sovereignty. While in the eyes of majority, in this case, the artificial intelligence that is being produced day and night, is nothing but a practice of terrorism, a political violence against “civilians.”

How do we define terrorism in this case? Terrorism itself is one of the most controversial and contested question, because it is so politically loaded. The idea that one person's terrorist is another person's freedom fighter might be an explanation, because it goes back to the cause of why people become terrorists in the first place. This also brings up multilateral problems like, what is the definition of terrorism in the future? Does fighting against government equals committing a crime? Does killing a robot an offence?

















About the artist


Vvzela KOOK


Vvzela KOOK (b.1990, lives and works in Hong Kong) is a new media artist who mainly works in audiovisual mediums, including performance, theatre, computer graphics and drawing. Her audiovisual works combine media with performance; they explore the possibility of coexistence between contemporary performance types, like dance or choreography, and computer-generated new media.

KOOK’s video works combine technology with her artistic practice to reproduce and convert urban cityscapes into an integrated virtual experience, guiding the audience on a cybernetic journey. The condensed textures in her works connect with multiple sensual levels in our perception and reintroduce the unexplored potential of video as a medium.

KOOK has participated and shown her works in MOCA Taipei (2019), Tai Kwun (2019), Microwave International Media Festival in Hong Kong (2018, 2016), PuSh Performing Art Festival in Vancouver(2017), Centre for Heritage Arts and Textile (2017), K11 Shanghai (2016), Hong Kong Arts Festival (2015), Sound Art China Exhibition (2013), Frischzelle Festival and Dusseldorf Festival (2012), and “89+”program (2012) co-curated by Hans Ulrich Obrist and Simon Castets.






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